I'm baffled by it. I never quite know whether it's sublime or overwrought. A little of both, I think. Maybe that's one reason why I love it- the sheer beauty of some sections, and the forced, sometimes awkward drama of others is an interesting reflection of the idea of duality that is woven through the entire book. There are some things that ring so true and others that strike me as completely bogus. I don't know. I like it. Look it up.
And until you do that, here are some of my favorite passages (under their respective section titles):
The Coming of the Ship (i.e. the Prophet gets ready to blow this joint)(my words, not Gibran's)
"...He descended the hill, a sadness came upon him, and he thought in his heart: How shall I go in peace and without sorrow? Nay, not without a wound in the spirit shall I leave this city.
Long were the days of pain I have spent within its walls, and long were the nights of aloneness; and who can depart from his pain and his aloneness without regret?
Too many fragments of the spirit have I scattered in these streets...and I cannot withdraw from them without a burden and an ache.
It is not a garment I cast off this day, but a skin that I tear with my own hands. Nor is it a thought I leave behind me, but a heart made sweet with hunger and with thirst."
On Love (don't judge me for loving this passage, I know it's terribly Marianne Dashwood of me)
And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him,
Though his voice may shatter your dreams as the north wind lays waste the garden....
The Coming of the Ship (i.e. the Prophet gets ready to blow this joint)(my words, not Gibran's)
"...He descended the hill, a sadness came upon him, and he thought in his heart: How shall I go in peace and without sorrow? Nay, not without a wound in the spirit shall I leave this city.
Long were the days of pain I have spent within its walls, and long were the nights of aloneness; and who can depart from his pain and his aloneness without regret?
Too many fragments of the spirit have I scattered in these streets...and I cannot withdraw from them without a burden and an ache.
It is not a garment I cast off this day, but a skin that I tear with my own hands. Nor is it a thought I leave behind me, but a heart made sweet with hunger and with thirst."
On Love (don't judge me for loving this passage, I know it's terribly Marianne Dashwood of me)
"When love beckons to you follow him,
Though his ways are hard and steep. And when his wings enfold you yield to him,
Though the sword hidden among his pinions may wound you. And when he speaks to you believe in him,
Though his voice may shatter your dreams as the north wind lays waste the garden....
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips. "
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at the noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips. "
On Children (probably my favorite section, especially those last two lines)
"You are the bows from which your children as living arrows are sent forth.
The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows may go swift and far.
Let your bending in the archer's hand be for gladness;
For even as he loves the arrow that flies, so He loves also the bow that is stable."
On Friendship
"When you part from your friend, you grieve not;
For that which you love most in him may be clearer in his absence, as the mountain to the climber is clearer from the plain.
And let there be no purpose in friendship save the deepening of the spirit."
"You are the bows from which your children as living arrows are sent forth.
The archer sees the mark upon the path of the infinite, and He bends you with His might that His arrows may go swift and far.
Let your bending in the archer's hand be for gladness;
For even as he loves the arrow that flies, so He loves also the bow that is stable."
On Friendship
"When you part from your friend, you grieve not;
For that which you love most in him may be clearer in his absence, as the mountain to the climber is clearer from the plain.
And let there be no purpose in friendship save the deepening of the spirit."
