So...I posted a while ago about a review of the movie "Anonymous" (I would put a picture here if I cared enough about it, but I don't, so DEAL with a pictureless post), and I went to see it as soon as it came out here because, whatever, I love movies, OK!? And even more than movies, I love a good period piece. Y'all know me. Anyways, I just realized that it's been weeks and I've failed to say anything about it (and a million other movies), partly because I was just. So. Disgusted. by it.
So here's the thing. Hopefully you know a little bit about Shakespeare. And hopefully you know a little bit about alternate theories of authorship of his works. One of the most popular (and most perplexing and obnoxious) theories started sometime in the 1920s with someone who said to himself one day "well this Shakespeare fellow was lower class. And poorly educated. And so was his family. So there is NO possible way that he would have been smart enough to pen the most transcendent works of the English language. No effing way, man" (they talked like that in the twenties). So this man set out to figure out who else could have been behind it and came up with Edward de Vere, then Earl of Oxford. He was wealthy, he was smart, he was close to the royal family (well the royal person, Elizabeth didn't exactly have a family...), somebody said one time that he was a poet, blah blah blah, it must have been him!
Fast-forward about 90 years, and, despite the fact that 10 of Shakespeare's plays were not performed or published before Oxford's death (and they could not have been published posthumously because some refer to events that didn't happen until years after his death), the theory only continues to grow in popularity, supported and propogated by celebrities (and why not? they're famous, so that makes them smarter than us, righ?!), despite the best efforts of prominent Shakespearean scholars to debunk this piece of ridonculosity (Shakespeare made up words, so I can too. Werd yo.)
So all this was floating around in my mind before I went to see "Anonymous", but I thought I'd find a pretty good movie despite the absurdity of its premise. Unfortunately, I found myself unable to willfully suspend my disbelief and enjoy the movie for its own sake. Why, you ask? Because, as the film went on, that premise struck me as more and more offensive. What? I was offended by a movie?!?? Yes, apparently I'm not beyond feeling. Or something.
Anyways, what offended me so much is that this whole theory (and the movie that supports it- director Roland Emmerich has become a major proponent, and released with the movie, a documentary by his prodcution company and lesson plans to be sent to high schools so kids could learn about this hogwash) is based on the idea that poor/uneducated/obscure people cannot do extraordinary things. Can you imagine tteaching that to high schoolers? Oh hey kids, do great stuff with your lives, but probably just accept that since you're pretty average you'll never do anything better than average, and if you do, the credit will go to someone else, because who would seriously believe that a kid like you could do anything extraordinary? I don't know why this makes me so mad, but it just does.
Oh and on top of that, the people who made this movie and who support the Oxfordian theory of authorship probably mourned the recent loss of Steve Jobs, designer and entrepeneur extraordinaire, which strikes me as ironic because, like Shakespeare himself, Jobs' early life was rather unextraordinary.
And. AND...should I spoiler this? don't read any further if you don't want spoilers.
According to this movie, Queen Elizabeth was a raging wanton who bore many children who were farmed out to be raised in anonymity by her noble vassals. So she never knew who they were. So we find out as the movie progresses that Oxford had an affair with Elizabeth that resulted in a child. NOT KNOWING THAT HE HIMSELF HAD BEEN ONE OF HER CAST-OFF CHILDREN. WHAT:SODfao;sh;oqw??!~!orh;oh?!?!?!?!??!! Oh yeah and they had a kid together. So Elizabeth had a child with her son. HER SON.
I like to keep an open mind when it comes to history, but this type of historical revisionism, that drags major players down to the gutter without any supporting evidence is just disgusting.
UGH. What a frustrating movie. I actually almost walked out of it. For me to even consider walking out of a movie is...pretty extreme. It is classist, it is disrespectful, and on top of that, probably its worst crime is that it's just not entertaining.
Not. Recommended.
Showing posts with label Shakespeare. Show all posts
Showing posts with label Shakespeare. Show all posts
Tuesday, November 29, 2011
Thursday, October 27, 2011
I love the New York Times movie reviewers because...well, for lots of reasons, but because, while being oh so smart, they're not afraid to just lay it all out there. Each review ends with the movie's rating, and the reasons for that rating. Usually the reasons have been tweaked.
The coda to A.O. Scott's delightful review of "Anonymous" (you know, that movie that puts forth the old theory that Shakespeare's plays were written by a well-heeled noble supporter?) reads thusly:
"“Anonymous” is rated PG-13 (Parents strongly cautioned). Swordplay, bodice ripping, bawdy speech and the cold-blooded murder of the truth."
Spectacular. With just that last sentence, Scott simultaneously rips the movie apart AND increases my desire to watch it.
The coda to A.O. Scott's delightful review of "Anonymous" (you know, that movie that puts forth the old theory that Shakespeare's plays were written by a well-heeled noble supporter?) reads thusly:
"“Anonymous” is rated PG-13 (Parents strongly cautioned). Swordplay, bodice ripping, bawdy speech and the cold-blooded murder of the truth."
Spectacular. With just that last sentence, Scott simultaneously rips the movie apart AND increases my desire to watch it.
Labels:
movie reviews,
movies,
nytimes,
Shakespeare
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