my umpteenth blog

I finally got to see the "Cave of Forgotten Dreams". I love going to the downtown theater by myself (even though it seems hopelessly pathetic). It's close enough that I can go on my bike and breeze past all the diners and trade-conference-attendees that generally clog the streets in that part of town.

(quick summary for those who have never heard of it, this is a documentary about Chauvet cave in Southern France where, in the early 90s, three hikers discovered a pristine cave containing by far the oldest (32,000 yrs old) cave paintings known. Since its discovery, the cave has been sealed- only a few researchers have been allowed access- to preserve the environment within the cave that has kept the paintings in such good condition for so long)



Anyways, I enjoyed it. I think I had maybe glanced at some photos before of the cave before, but never really paid attention. That's probably a good thing though because I, in my state of ignorance, felt like I was discovering it for the first time with Werner Herzog and his supporting cast of anthropologists and paleontologists as my guides. This is worth seeing just for the footage of the paintings. They are spectacularly beautiful, painted with an understanding of their subjects as well as an artistic interpretation that we tend to think can only be displayed by our modern artists. I think that a lot of our shock and awe at the beauty of the images themselves comes because we forget or can't possibly understand that the people who painted them were probably very similar to us. Sure, different lifestyle, they still had Neanderthals to contend with, etc...but fundamentally I'm positive that they were motivated by the same things that we are. No amount of technology can change the nature of our basic concerns as human beings- survival, relationships, etc...



Herzog manages, even with this epically fascinating (and at times rather dry) subject, to find little flashes of humor. What I love though is that he presents to us the absurdities of some of the guest stars without derision- it seems he's rather fond of the old perfumer with the crazy eyes and the anthropologist who dresses like a mountain cave man in furs and leather (for no apparent reason). There's an interesting parallel between the interest in the lives of the creators of the paintings and the lives of these modern characters- it's the same interest, and we (I) feel the same drive to know more about/understand more about both groups.

At one point, Herzog is interviewing an anthropologist who used to be a circus performer (which is kind of fabulous) who is surprisingly eloquent. He makes what for me was the most poignant point in the film. He says that "past is lost". That, to me, is the greatest tragedy of any profession dealing with the past (like I do, though the more recent past)- the loss of those lives and their lessons. It is painful and it is hard to accept.



Though that was the lesson that stuck with me the most, I think the point Herzog tries to make is exactly the opposite- that the past is not truly lost, not in this case at least, because those ancient artists left behind something of themselves in their paintings. They left evidence that they lived, and they left evidence that they interacted with the world in which they lived, and they left evidence that they understood the world as it is- full of wonder.

(All of the pictures I've added to this post come from the French Ministry of Culture's website dedicated to the cave. Go there to explore a map and images of the cave, as well as to find out more about its history)