Movies!

I haven't posted about movies in a long time and Andrea blogged a rant today about chick flicks and it got me all fired up, so I guess I'm in the mood now.



First up is a real gem- a French movie called "Barbe Bleue" or, in English, "Blue Beard". It's based on a classic fairy tale by Charles Perrault (ever heard of...oh, Cinderella? That's because of him), a 17th century writer and collector of folk stories. If you've read a lot of the Grimm Brothers o Hans Christian Andersen, you know that some fairy tales can get a little out of control, and Blue Beard is no different (seriously- what in the world is this about?). So anyways, in this movie (one of a large number of versions), two young girls in the 50s are narrating. The younger sister forcefully reads the older the story because the younger is fascinated by it. The elder is terrified. The story itself is about two sisters whose father dies, for which happening they are kicked out of their convent/school. Back home, they talk about their neighbor, old Blubeard, who has been married several times, though his wives have all mysteriously disappeared. The younger is obsessed with his wealth and the idea of escaping to his world of wealth and luxury, and accepts his proposal of marriage. Long story short, he leaves one day, giving her all the keys to the palace, telling her to visit every room and explore the whole property, but not to use the small golden key. So what does she do? Of course she figures out which door it opens and goes inside. There, she finds the bodies of his dead wives (though some versions of the story have them alive still, but tortured and imprisoned and nearly dead). She freaks out, leaves the room, and relocks the door. HOWEVER, instead of staying away for months as he promised, he comes back the next day. Of course she is still out of her mind, he notices, and $#!% happens.

So. Morbid, right? Aside from the one terrifying scene, the dead wives, the film is pretty sedate. It's very interesting because while the little gil narrators are spectacular little actresses (it feels so natural!), the acting in the fairy tale is rather wooden, almost emotionless. I've read a number of reviews that really criticize this, but I think it's a deliberate statement by the director, not the sad result of a woeful lack of talent as some have implied. It leaves them as generic representatives of men and women, their relationships a rather bitter commentary on the sometimes bitter, sometimes sweet relationship between the two. It also preserves the feeling that this is a story we're watching, not a reality or any kind of direct representation of it.

That being said, it is wonderfully watchable and definitely worth the time. It's on watch anytime on Netflix right now if you've got some free time (and, of course, a subscription)


THE LAST AIRBENDER: Well, if you're free for a matinee and really don't care how you spend your time, go see it. Otherwise, avoid like the plague. The performances here are painfully wooden, and not on purpose like the previous film. Just painful, especially remembering Mr. Shyamalan's former talent. Sorry M. Night, you've been replaced and overwhelmed for me by the giant of J.J. Abrams.



Well, all that I really have to say about this movie is "Oh HEEEEEEY Bradley Cooper!!!". The plot and writing were completely absurd. That doesn't, however, negate the fact that this is a good movie to escape the heat on a weekend afternoon. Worth a matinee (maybe not in D.C. though, where matinees are NINE DOLLARS). Lots of explosions, one really entertaining bad guy (hey Raul!), and some really silly portrayals of military types.




I think I'm going to go out on a limb here and say that "Rocket Singh: Salesman of the Year" is the second best Bollywood movie I've ever seen (after "Lagaan", which is no longer available on DVD or Netflix or anywhere really). It's kind of "The Office" meets India without the sarcasm or the great writing. Harpreet Singh reports a client at his first ever job for requesting a bribe, is told by his boss "that's how we roll", and decides to start his own competing company while still at his job and using their resources (but keeping a strict accounting of everything he uses so he can repay it someday). His boss is horrible to him, more and more coworkers join him, then the whole situation blows up and his boss forces him out of business. Heartwarming self-examination and happy resolution ensues. It's a good, simple, solid movie. AND it's under three hours! (My main complaint about the Indian film industry is that it cannot, for the life of it, produce a movie that is less than three hours long- this one actually is, but only by about twenty minutes). Anyways, if your in the mood for something a little different, give it a try. This one's also on watch anytime on Netflix right now.

I feel like four is a good place to stop for tonight. K bye!!!